Achatz on left. Food on right.Just when I thought our trip to Chicago could not get any better, we spent our last night at Alinea. Alinea is Grant Achatz's progressive American restaurant in Lincoln Park, one of the most celebrated and influential restaurants in the country. (You can listen to Chef Achatz talk about the philosophy of his restaurant (fun, experiential, tasty, not pretentious or self-important), and see what the food looks like,
here.) We ate there 2 1/2 years ago, in its first year of operations, and we were eager to return. Once we registered for Chicago, it was the first reservation I locked down.
Achatz is only 35 years old and a truly remarkable person. He is a culinary genius, to be sure, turning out a dining experience five nights per week that is both delicious and fun. But since our last visit, he has also battled a rare form of mouth cancer. The standard treatment would have been to remove his tongue, but he was able to enroll in experimental trials and, through chemotherapy and radiation, battled it into remission. He continued to work throughout his treatment.
The food has only improved since our last 3 1/2 hour experience. When I made our reservation, we signed up for the "Tour" of roughly 24 courses. Each course was ridiculously delicious. And that's the point that shouldn't be missed about Alinea. For all the avant-garde techniques and utensils, what you put in your mouth is often the best thing you ever tasted -- until they bring you the next course. Some of the highlights:
Osetra -- Caviar with "toast" foam and a jelly of creme fraiche. The idea behind this dish was to have the traditional garnishes that accompany caviar, but to let the caviar itself be the dominant texture. hence toast foam instead of toast points. Some may call that silly, I call it delicious.
Pork Belly -- This was a Thai-influenced dish that came with a non-alcoholic shot referred to as a distillation of Thai flavors. It prepped the palate for the pork belly, which also had a banana component that, believe it or not, worked.
Brook Trout Monseigneur -- This was the "Matrix" course, a fastidiously traditional presentation of a popular late 19th century dish, complete with what appeared to be antique plates and wine glasses. The kitchen clearly has a sense of humor and maybe they put this course on the menu should any naysayers ask if they can cook any "real" dishes.
Pheasant -- The bird was combined with apple and shallot, tempura-fried, and served on the end of a oak branch while some of the leaves smoldered. Yes, some of the leaves were smoldering. It smelled like Asheville. It was like the world's best fried chicken enjoyed at a Autumn bonfire.
Yuba -- You didn't eat the oak branch utensil, but you did for this course, which had shrimp somehow stretched and twined around yuba. It looked like a long pretzel stick.
Sea Urchin -- It was served in the shell with aloe, yuzu, and chili components. Sea urchin -- the foie gras of the sea -- has become my new favorite food.
Lamb -- Three cubes on a flaming hot steel rectangle, eaten with chopsticks, the undersides still searing at the table, the top perfectly medium-rare. Each was crowned with a fall accompaniment -- pumpkin, eggplant, rosemary.
Transparency -- A thick, transparent straw packed with yogurt, bubble gum tapioca, and raspberry. You were encouraged to slurp it all at one (with your mouth, not your nose), despite the slightly offensive sound that resulted. Think bubble tea with a Ph.D.
I could go on. Hot potato, cold potato remains on the menu as does black truffle explosion. We had bacon on a high wire. We had a hands-free course with the dish skewered on a softly bobbing prong. We had a course on a slowly deflating pillow. We had strawberry pound cake lollipops with vanilla beans for sticks. Every dish was beautiful, every taste was yummy, every sip of wine paired perfectly.
And then it happened. A waiter came to our table and draped it in a gray silicone mat. It was like a thin Sil-Pat. She then lined up 6 or 7 bowls filled with ingredients, along with some spoons and serving dishes. Then she left. The TW and I stared at it and wondered what, if anything we were supposed to do. We waited. We waited a little longer. And just as I was about to start investigating the contents of those bowls, Grant Achatz was standing next to our table. He introduced himself, asked us if we knew what we were supposed to do, and when the TW said no and I said "Huh?" because I was already on the floor kissing his feet, he said "You could do this." He then proceeded, Jackson Pollock style, to drizzle and paint the contents of those bowls right onto the table -- a variety of fruit and chocolate sauces, pickled blueberries, blueberry jam, "maple wood" consomme, tobacco-infused whip cream, thyme, frosted walnuts, walnut shortbread. His assistant then brought him a smoking lava rock which he set in the middle of table, broke into pieces, and pronounced: Milk chocolate mousse. He then added malt ice cream and a few other ingredients. He was friendly and meticulous as he went through this process. (I found a similar performance on YouTube. You can watch it
here.) We thanked him effusively and then he went back to work in the kitchen. I looked at the TW, stunned and awe-struck. And then we ate the world's best ice cream sundae.
My trip to Chicago included my first Boston-qualifying marathon time and table-side service by Chef Grant Achatz. Boston Dreams and Michelin Stars indeed. This trip will never be topped.